A memoir

Reversible Skirt

A true story so beautifully rendered it reads like a novel.

In a child’s voice both innocent and piercing, Laura takes you through a painful odyssey made bearable, not because help was at hand, but because she kept her heart intact.

Winner of a silver medal in the Readers’ Favorite Book Awards.

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Something's wrong with Mommy. She gets angry and shouts, and isn't like other mothers. Daddy says everything's okay, but I feel scared all the time…

Laura's world turns upside down when her mother commits suicide, leaving three daughters under the age of five alone with an ashamed and shattered father. To repair the damage he quickly remarries, bringing home a woman he hopes can take his late wife's place. But the children don't know what to make of this new harsh and bitter parent.

The stepmother promises her husband she'll care for the girls better than their own mother. Instead she subjects them to constant abuse and seems determined to grind them down to nothing. Will this malevolent woman destroy the bonds of sisterly love, or will the little girls survive their never-ending nightmare?

Told in the voice of her younger self, McHale Holland's searing memoir is ultimately a triumph of strength and forgiveness in the face of adversity.

An excerpt from Reversible Skirt

From a day I thought I was going to see my mother again after a long separation:

Gramma and I are quiet, still holding hands as the cab turns down this beautiful street with big trees on each side, leaning toward each other like they’re trying to kiss over the cars below. It’s so much quieter than the bigger street we turned off.

“Pretty,” I say to Gramma.

“Yes, it is, Laura. It’s Richmond Street,” Gramma replies. The cab stops in front of a little gray house. “This is it,” Gramma says.

The driver opens the door for us, and then helps Gramma up the front stairs, holding her by the elbow. Then he pats me on the head saying, “Good luck, little one.”

I’m certain I’ve never been to this house before, but then Daddy opens the door and says, “Welcome home, Laura.”

Gramma and I step inside to a space too small to be a room, but not long enough to be a hall. There’s a table about as tall as I am with a vase full of pink carnations in front of me. To the right is a doorway to the living room. Daddy steps through and walks across the room, and stands by a smiling woman leaning against the door to another room.

By the window on a couch are Kathy, Mary Ruth and a hunched up man with thin, dark hair and yellowy gray skin. To his right is a big curvy piece of furniture with a bench in front of it. And under that is the most beautiful dog, with long white, black and brown hair.

Daddy calls me over. I slip away from Gramma and walk across the room. Daddy is holding the woman’s arm, and he says, “Laura, this is your mother. Say hello.”

She smiles looking me right in the face and leans down a little and says, “Hello, Laura.” I’m feeling really strange because there is my own mother standing in front of me and I don’t recognize her.

Lots of things flood into my mind all at once. One thing I know for sure is that Daddy is always right, and if he says this is my mother, she must be.

And I think about things changing, like if I put biscuit dough into my mouth and chew, it disappears. It doesn’t exist anymore. If Gramma takes some dough and puts it into the oven, when she takes it out, it’s fluffy and crusty and golden brown. If I put some dough in a bowl of water, it gets bigger and starts to sort of melt, and the water starts to look like milk. Other things change too, like my trike was shiny, and now it’s dull and full of rust. And Kathy, Mary Ruth and I are always changing. Mary Ruth’s hair is darker now than Kathy’s, and just a bit ago their hair was the same color. We’re always growing too.

I think Mommy must have changed somehow like this.

Daddy clears his throat in irritation and says, “Say hello to your mother, Laura."

“Hello,” I say staring into a face that has sharp, little brown eyes. It’s not like I can say for sure how she’s different. I don’t exactly remember Mommy’s eyes because I can’t remember looking into them, but I don’t think they used to be brown.

“Go sit on the couch now next to Grampa Adams,” Daddy says.

I look at the man. He looks so sour, like a pickle. I think of Grampa O’Neill. I haven’t thought of him in a while. I look over at Mommy and wonder if maybe this Grampa Adams is really a changed Grampa O’Neill, but Daddy didn’t say he’s Grampa O’Neill, so I think he must be someone different. I sure hope he is.

I sit down next to Grampa Adams. I’m not the least bit inclined to lean into him like I remember leaning into Grampa O’Neill. Grampa Adams is looking at me like I’m a mosquito about to land on him. Then the dog under the curvy thing growls.

“That’s Rusty, Laura, Grampa Adams’ dog,” Daddy says.

Grampa Adams says, “You aah ehh better stay away from ehh him. He no like aah childaren.”

The way Grampa Adams talks, he says the same words, but they’re all different sounding. I have to listen hard because he stops and starts at different times than I’m used to.

I don’t ask about how Mommy got to be so different, where she was when she was gone or where Grampa Adams came from. This is all just more stuff to figure out, and I’m pretty good at that.

I’m thinking all of this over, thinking maybe Gramma will come in and sit next to me, and I’ll be more comfortable, but then Daddy says to Gramma, “Well, it’s time to get you on home now, Mom.”

Gramma hasn’t even stepped into the room. I didn’t think that meeting Mommy would mean saying goodbye to Gramma, especially this way, without Gramma even coming into the room and having a piece of candy or something. Gramma didn’t tell me she was going to leave me here.

How can she have ridden so happily all that way with me and known she was just going to slip away?

I slide off the couch and take a few steps toward Gramma, thinking if Gramma’s going I’m going too, but Daddy says, “Get back on the couch, Laura. You’re staying here with your family where you belong.”

Praise for Reversible Skirt

Women’s Memoir speaks to the heart and Reversible Skirt is no exception. Laura McHale Holland describes heart-wrenching childhood experiences that, unfortunately, too many share. However, there is hope in the pages of this book—good times as well as bad. And the sisters’ bond is one to be envied. A beautiful read by a wonderful author. I highly recommend it.

— Elaine Webster, Standing at the Edge of the Crowd

What impressed me the most about Reversible Skirt is how loving Laura McHale Holland was able to remain under horrendous treatment. A small child, unable even to manage the steps, crawls up the stairs to see a mother who will not look at her. A stand-in-mommy, unloving and uncaring, sets about to rule her world. Holland presents cruelty against a backdrop of nostalgia and you are reminded of things you wanted as a child, games you played, clothes you wore — and that some children live a different, unhappy existence. Three little girls live together, but are unable to relate as sisters until finally old enough to piece together the puzzle of what happened to their real mother. That is when the healing begins — to understand it is not they who are wrong. I liked those girls a lot.

— Linda Loveland Reid, Touch of Magenta and Something in Stone

Laura McHale Holland’s vivid characters vibrate with an authenticity and life force rare in nonfiction. She builds suspense and compels the reader to care about her quirky bank of characters. She is a true writer of the heart.

— Claire Blotter, Moment in the Moment House

Laura McHale Holland is an eyewitness to the sad events of her childhood in this book: her young mother’s suicide, her father’s early death, her abusive stepmother’s tirades. Laura’s honest and wide awake look at the swirling world around her is skillfully drawn, so that we want to become her friend, to time travel back to those chaotic days and just hold her hand or play a game of checkers. Yet Laura’s message at the end, to take away, is that we befriend other children in need and know that they are watching and hoping. Such is the generous heart and compassion of Reversible Skirt.

— Kate Farrell, Wisdom Has a Voice and The Times They Were A-Changing

Reversible Skirt is the tender telling of a girls’ odyssey through an abusive childhood. The voice is honest. I feel as if I’ve known her all my life.

— H. B. Reid, The Connected

Reversible Skirt is a very sad tale redeemed by the exquisite, simple beauty of the language. The story follows three little girls who suffer the terrible loss of their mother and are brought to live with a stepmother who turns out to be troubled and abusive. There are some tender moments provided by relatives, when they’re allowed to make contact. Nevertheless, the sisters triumph in small ways, and here is the subtle magic of this book. There’s not a lot of fanfare–only the voice of the youngest, Laura, a toddler when the story begins. The child’s voice is bursting with images and deepens as the girl arranges the pieces of her story and begins to understand. This memoir feels so honest. The telling is beautiful. It’s the real deal.

— Marlena B, Amazon reader

 
 

Silver medal, Readers’ Favorite Book Awards, 2011